The First to the Biddeford Bench: Rickenbacker 370 12 RME Part 1. Neck and Frets

As Recieved

I’ve always loved Rickenbacker. Initially, the basses, specifically the 4003, struck me as so singular. Later on I had a 381V6 that I enjoyed a lot. My cousin has had MANY and I’ve enjoyed every one I’ve played.

So, it was a dream to have my first customer bring me an under the bed fresh 370 12RME (Roger Mcquinn model, missing the signature guard). His guess was around 20 years in storage, piled atop some hard use by the previous owner, and some question mark issues with the finish.

The first noticeable issue was a result of storing without detuning. There was a good .100” of string height mid neck, dying down to about .060 at the heel. The first fret was around .020”. So, first thing was to pull the strings and let the neck relax a spell.

Taped off the frets while waiting.

The neck came back to almost straight without much work, but taking the tension off the truss rod still left a little relief. I spent a few hours massaging it gently back into dead flat, then let it sit for the night.

The next day things were settled out and I had some decisions to make about the frets. They’re rather thin to begin with and this guitar had already seen a level at some point in its life so I was concerned about leveling them, but really needed to get a consistent flat to correct some of the string dents and questionable crowning on the treble side. So, after going over it with a fret rocker, I decided to level it super slowly with a beam and 400 grit.

Beyond that, it was very gentile crowning focusing on the areas where the frets had hardly been poorly crowned before.

Crowned, Dressed, pre polish

Post crowning and dressing, I usually run a flap of 800 grit up and down the frets to catch any light tool marking that may have been left from the files. Beyond that, it’s 1000, 1200, 1500 and 2000 mesh in a suitably sized file (slightly larger than the fret crown itself), then buffed with Blue Magic and finished (depending on fretboard material and finish) with carnauba wax.

Photo from after final assembly.. I’m bad at taking progress photos.

So, from there I had a dead straight, level fretboard to start my set up with. But first, I had to get into the finish a bit.. well, and electronics and the bridge so stay tuned! Next week I’ll talk about some of the many issues with this guitar’s finish, the things I had to take on, and things I’d take on if the owner ever wanted to get that deep.

Published by Custom Job

Gavin John Sheehan (D.B.A. Custom Job) Is a Musician, Composer, Luthier, Builder, and Fabricator of 35 years. Before knowing what a luthier was, gavin took care of all his own instrument repair and customization. By the time he had his first job in finishing at a local funiture store, he’d been thinking about building his own instruments from scratch. A lot of years of repairing and working jobs, mostly related to carpentry, he picked up skills in furniture design, building, finishing and woodworking in general. Over time, as he’d encountered more complex instrument repairs, a lot of the work he’d done in the trades lent well to his work with musical instruments. After a 10 year spell living in Montreal, QC and playing all types of music, traditional and nontraditional western, eastern and experimental work, he began to fall out of love with the instruments he was playing (though he now misses a heafty amount of them). Around that time, he bought his first table saw for 150 bucks from a humidor maker which came with an almost embarassing amount of beautiful and highly figured woods. He carried at least 6 pieces of highly figured tiger maple and other odds and ends around with him for the following 15 years. Over that 15 years, he’d been doing work on other people’s instruments and building/restoring his own drumset, a combination 1948 Gretch Broadkaster he picked up in a junk shop and several other custom drums he built to go with it. He finally began construction of two Guitars (Earth I and Earth II) which would be the only electric guitars he’d allow himself to “Buy” after close to 5 years without a dependable solid body guitar. Gavin Decided to go into business in 2017, opening his first shop as Custom Job in Tolland, CT. He’s since moved to Biddeford, ME. where Custom Job continues to offer setups, repairs, modifications, and custom builds of musical instruments.

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